International Rughooking Conference 2015

TIGHR Logo RSTIGHR members from Canada, USA, UK, Japan and Australia,

Inn at Laurel Point Victoria BC180 in all, some accompanied by spouses, met in Victoria on Vancouver Island, Canada, at the Inn at Laurel Point on Sunday 4th October.  After the Sunday registration and meet & greet the following three days were packed with panel discussions, talks, workshops, excursions, a rug exhibit open to the public and culminated with a FibreFest where members demonstrated many different rug making techniques and displayed and sold their creations.

The exchange of themed Friendship Mats during the Welcome & Opening ceremonies is a tradition uniting this group whose Board and Host Country changes every three years. This years Canadian theme, Back to Nature, reflected the natural beauty of the island, and the city of Victoria, the capital of British Columbia and gateway to many outdoor pursuits.

Friendship Mats

Members include their name and contact details on the back of their 5 x 7 inch mat, making it a very personal connection with a new rug hooking friend.

Exchanging these mats early in the proceedings gives members a chance to seek out their “fibre pal” and get to know them during the conference.  For those who had attended other conferences it was a busy time catching up with old friends.  We met up with many of our friends who had travelled to the Conference in South Australia in 2012.

What squeals of delight there were when we bumped into Fumiyo and her friends from Japan in the street on the evening of our arrival.

Day 3 TIGHR Approaching a Design, Fumiyo Hachisuko work on camera

At registration members were presented with a green goodie bag containing a Program of Events, local tourist information and an array of small items that came in handy over the next few days.    These bags, a nice keepsake of the meeting, were large enough to carry around cameras, wallets, phones/iPads and information collected from session to session.

The_Terrace_Ballroom_Inn_at_Laurel_Point_Victoria_BC

The general gathering place at this boutique hotel on the water-front was the Terrace Ballroom, an open area bathed in natural light shining through a high glass ceiling – the sun shone on queue for the Conference.  Light also streamed in through the glass walls of the Ballroom overlooking the gardens and the harbour shared by pleasure craft, ferries (big and small) and seaplanes! It was quite an experience to be in a boat that not only had to navigate the channel marker buoys but also had to stay clear of a landing strip.

Water_taxi_and_sailboat_on_Victoria_Harbour

Events were planned allowing time to  meet up with friends and do things like walk along the waterfront path into town – yes some went shopping and others visited the museum and galleries .

If you found yourself  too tired to walk back, you could jump into a water taxi which looked rather like a toy boat in a children’s story book. These hop-on-hop-off small yellow craft which can carry about 12 people (shown in the left of the image above), motored around the harbour stopping at the various hotels and points of interest.   One being Fisherman’s Wharf, a picturesque area of houseboats and eateries.

Tourists weren’t the only ones lookinMarine_visitors_to_Fishermans_Wharfg for something to eat at Fishermens Wharf.

There was no lack of good eating places around town and the hotel meals were excellent.

Excursions had been arranged to take in a host of activities.

By day a hospitality table was set up in the Terrace ballroom where meals were served and the panel discussions took place.  A lounge adjoining this area was set up with coffee and tea and provided a place for the night-owls to gather and talk or compute without disturbing room-mates.

The Conference began Monday with panel discussions and workshops in the morning and the afternoon, as well as a rug display for attendees.

Panel discussion and workshops continued Tuesday morning. The TIGHR General Meeting followed a luncheon and Keynote Presentation by Michelle Sirois-Silver “Intersections: the place where the handhooked surface and contemporary art meet”.

To learn more about Michelle’s journey into exploring ways that combine surface design techniques with hand hooked surface click this link to go to her website.  You can read “A Stitch in Time Creates Art.  Evolution of an Art Form”  by clicking Read more…    or to actually listen to the June 2015 Interview with Aletta de Wal (Artist Career Training) click on the following link Listen to the full interview ..

Wednesday’s Panel Discussion “What is rug hooking in your part of the world?” was moderated by Miriam Miller, President Emeritus of the Australian Rugmakers Guild and one of several workshops scheduled for the same period was Judith Stephen’s and Jo Franco’s toothbrush rugmaking class.

Below; Class participants admire the eco dyed fabric (pieces of cotton sheeting which Judith had wrapped around eucalyptus trees and left to “weather” for a year) before tearing it into strips to use to make the eco baskets or mats.

Toothbrush rugmaking

For some it was very hard to tear up these wonderful pieces of dyed fabric and there was much discussion as to which trees in the northern hemisphere could be wrapped to give this result.  This workshop grew by six from it’s registered 20 participants after members saw the fabric they’d be working with.

Toothbrush rugmaking class results

Some in the class decided they would rather make a mat than a basket – and some decided to make both.

Toothbrush rugmaking Jane LaBaron

During the Wednesday luncheon, Kerry Mason, art historian, curator and art consultant who teaches in the Dept of History in Art at the University of Victoria and recently worked with the Art Gallery of Greater Victoria to develop the major exhibition on Emily Carr, and co-authored the companion book, Emily Carr on the Edge of Nowhere spoke on “The life and art of Emily Carr”

and

the FibreFest – an Expo of Fibre demonstrations filled the afternoon,

Excursions had been organised for each day – taking in a Guided Walking Tour, Emily Carr House, the Royal BC Museum, Robert Bateman Gallery and a Fibre tour (more stash building).

The only downside to all this was choices had to be made.  However those of us who were on panels or giving classes still managed to catch up with things we’d missed by talking with others in the down-time or at the FibreFest.    Personally, I found the FibreFest to be the highlight of the events.

The panels were also extremely interesting and provoked much discussion, especially when the panellists came into the audience, each took a seat at a different table, they then proceeded to swap and move from table to table – this close-up personal contact was an excellent way to create conversation and get feedback.

The panel discussions were videoed and are to  be available soon on the members area of the TIGHR website.

Presentations were given in the evenings.  The first by Sylvia Olsen (a well known local knitter and author) her subject was a Coast Salish Legacy:  the women whose knitting made and saved their lives.  Even though this was a rug hooking event – knitting featured prominently in it and the travels of the 3 “J’s”. They’d been told to detour  to Lake Cowichan on their way to Victoria to learn about the famous Cowichan knitting. However, there wasn’t time for a detour and as it turned out – Cowichan knitting came to them in the form of a wonderful presentation by Sylvia.

Gene Shepherd who many of us in Australia know,  has an active blogsite, runs an internet rug camp and has filmed many rug hooking related instructional videos. Gene is the Director of Cambria Pines Rug Camp and was Co-Director of the 2013 ATHA Biennial. Gene has published many articles in Rug Hooking Magazine and three books on rug hooking and dyeing. Gene made a dynamic presentation at this Conference on  Colour in Your Rugs.

Dr. Robert Bateman’s Gala Dinner Key-note Presentation as Nature in Art.     Dr Bateman is a world renowned Canadian naturalist and painter.  His work is described in the Conference Program of Events as fusing realistic style with dynamic compositions, and capturing both the particularities of nature and his conservationist spirit. Bateman’s honours and awards are many, including Officer of the Order of Canada.

report by …   Jo  Franco, Editor/Membership Chair

 

 

Visiting Rugmakers

After visiting Guild members in Queensland, New South Wales and South Australia and thinking about rugs hooked by members in Victoria and Western Australia, I realized just how differently members of this Guild approach design and the creation of their rugmaking projects.

The question often asked  –

“is rug hooking an art or craft?”

is hard to answer because it depends entirely on who you’re asking and what they’re aiming to express through their rugmaking.

The simple techniques used in the past to create floor coverings, are now used artistically to create wall hangings, home decor items and wearables; to make social commentary; express inner feelings; bring groups together to work on community projects;  promote well-being or just provide an outlet for a person to relax while making something they feel is attractive and useful.

While staying with Jacqui Thomson in New South Wales I was thinking about this as I admired the art work and rugs on her walls, particularly a large 4ft (122cm) square wall-hanging on the wall of Jacqui’s study hooked by Ilka Landahl, a member of the Narrawilly Proggers.

Unfortunately this photo,  taken with my phone (permission given by Ilka & Jacqui)  kept turning sideways in this blog. No amount of editing would prevent that happening,  so I resorted to printing and scanning it back to my computer and in doing so lost the high resolution of the original image.  My apologies Ilka, the detail in your rug, traditionally hooked with recycled fabric is truly amazing.

Tiger_designed_hooked_by_Ilka_Landahl_NSW_Australia

Social Commentary features in many of Judith Stephens (South Australia) hooked wall- hangings. Her work below, traditionally hooked using 100% wool yarn (photographed by Malcolm Edward-Cole), is for an exhibition later this year or next, concerning immigrants and Australia’s double standard.

Fair_Play_designed_and_hooked_by_Judith_Stephens_photography_Malcolm_Edward-Cole

Artistic expression: Judi Tompkins (QLD) has taken the rug hooking technique of Waldobrough to another level in wall hangings of her own design that represent something unique and full of meaning for the recipient of the piece.

Judi also pushes the envelope when it comes to the shape and framing of her hooked creations, as in Costas Hummingbirds which is framed with cactus wood.

Baron ready to come home_hooked_by_Judi_Tompkins_Qld_AustraliaCostas_Hummingbirds_designed_hooked_framed_by_Judi_Tompkins_QLD_Australia

 

 

.

 

 

Community Projects:   Bec Andersen (QLD) has promoted several community projects using various rug hooking techniques in her fibre installations.

Below are pieces hooked by school children (11 year olds) using the Oxford Punchneedle hook. This was a special project of Bec’s which she shared with me and has given me permission to write a full report on in a future magazine article.

photo 3

Expression of feelings:   Our plans changed and I wasn’t able to visit Victoria (Aust) and meet up with Joy Marshall and Chris Noorbergen however they’d previously forwarded me photos of their rugs shown below.

Joy entered the work below in an exhibition which included works that depict loss, love and hope by those who have/are experiencing grief and depression.

Joy describes her Glimmers of Hope as

My first rug using a linen backing and is approx 4 feet long and 1.5 feet wide. It uses recycled hand dyed blanketing and is my own design. It is a graphic representation of a phrase I woke up with in my head one morning a few years ago. “Glimmers of hope pierced the gloom” I then finished it with “like stars in the night sky”. After googling this phrase with no results I can only put it down to inspiration. I have long admired Van Gogh’s work and this piece is strongly reflective of Starry Sky. After the recent loss of my youngest son, this rug brought together the hope I have in God’s love that shines in the darkness of grief, Starry Night, and a hankering to try a design with cats paws.

Glimmers of Hope sharp

Chris Noorbergen   has used her creative rug hooking talents and the experience gained from a workshop with Heather Ritchie to hook a wall-hanging from a photograph of each of her six grandchildren, as they were completed, all have been featured on the Guild’s Facebook page. Chris has also lovingly created a hooked wall- hanging depicting members of her family and family events.

Yarra Valley, VIC

Marion Nefiodovas (South Australia) – subsequently took a Hooking a Portrait from a Photo workshop from Chris. Marion hooked a remarkable likeness of husband (George). Marion displayed the finished project at her visit to the Perth Craft and Quilt Fair when she and George were in Western Australia last May.

Marion and George Feb 2015

Chris also traveled to Western Australia at the same time and she visited Elizabeth (Lies) van Beem who lives in the South West  of the state, and took this photo of the wall hanging Lies is working on. It’s Lies’s life story since arriving in Australia which  she plans to enjoy on the wall of her home and hopes will become a family heirloom.

1_Windows_of_my_life_designed_and_hooked_by_Elizabeth_van_Beem_West_Australia

Wearables   Robin Inkpen who also lives in the south west of Western Australia is creating more of her unique hooked bags.  These one of a kind bags are now offered for sale in a high-end gift shop.

Carpet_bag_designed_and_hooked_by_Robin_Inkpen_Western_Australia

Community well-being: I (Jo Franco from West Aust) have been instrumental in bringing together a community group and teaching them to teach others.

Sue Gilmartin from the UK stayed with me after the 2012 TIGHR Conference and when she heard me talk of an idea for a hooked installation to depict the coming together of an inter-generational, multi-cultural group who are passing on the knowledge of a simple craft and using it to create artistic pieces, she encouraged me to enter a local sculptural exhibition we’d just come across online – it was closing day for entries, so we brainstormed a title  Handing It On and I emailed my entry minutes before closing time.

After Sue returned to the UK I was pleased to be able tell her my entry had been accepted and then came the interesting part – putting it together.

For the base I utilized an old rug of unknown origin, probably made in the 1920 or 30’s from recycled clothing; connected to my new rug, made also with recycled fabrics however these were brightly coloured recycled sari-silk off-cuts and novelty yarn.

Circles made using an aboriginal basketry technique taught to me by Judith Stephens were incorporated in my rug and the same technique was used to make a group of arms and hands to represent the women from the community group. The hands were also were made of fabric representing old and new and from the same “coiling” method as the circles on which they sat. The hands held hooks from my collection of old and new rug hooking tools. The installation was the only textile exhibit and very colourful among sculptures of metal, iron and ceramic in a white gallery!

Handing it On, Walking with Totems Exhibition Blender Gallery J

This same community group in Wanneroo worked together on an entry for a  Wearable Art competition in 2014, and in 2015, a wall hanging in commemoration of the ANZACs.

Ebb & Flow hooked by the Wanneroo Rugmakers. Photographer Michael Kelly of Star Creations
Ebb & Flow hooked by the Wanneroo Rugmakers. Photographer Michael Kelly of Star Creation

2015ANZAC Commeration designed & hooked by Wanneroo Rugmakers

 

 

 

 

 

 

 

 

 

Norma Hatchett (West Aust) has been  teaching rug hooking with the use of a Rumplestiltskin tool, for almost 30 years, to blind and disabled members of the community.  Over the last 10 years she has successfully run programs with residents suffering from dementia living in aged cared facilities.

Below Norma is shown giving a presentation at WAFTA about facilitating these projects and the benefits received by the residents as they sit together hooking.  Norma designs the piece and transfers it onto the backing in 16inc x 11inc segments (the size of her frames) then each person hooks their individual piece of the wall hanging and when all are complete Norma sews them together. You can see this in the second image which I photographed from the back – this image also gives a good indication of the overall size of the piece.

In a nutshell; Norma said this program is successful because while residents are “together”  no interaction is needed between the rug hookers each one has their own carer to help them with their part of the project. This provides an enjoyable social activity in a non-threatening environment. There is much more involved in setting up and facilitating the project and I have visited one of Norma’s sessions to see how it all comes together – it is amazing. One of her successes was a resident who wasn’t to be part of the group because she hadn’t spoken for 2 years – Norma encouraged her inclusion and at the conclusion of the 12 week rug hooking project this same lady had begun to talk again.

Norma_Hatchett

 

Wall_hanging_created_by_Norma_Hatchett_West_Australia

While I was traveling, Kira Mead from Albany West Australia whose quillie wall-hangings created such a stir on the Guild Facebook page, sent me an image of her latest rug. She is experimenting again!  this rug was hooked with a traditional hook using chain stitch on the wide open-grid backing used for locker hooking.

Ranunculas_Designed_hooked_chain_stitch_by_Kira_Mead_West_Australia

The local Wanneroo group also sent me images of a new member’s work.

Margaret is new to the group and likes to work, not necessarily on miniatures, but on small pieces. Below is her first piece of “toothbrush” rugmaking finished after returning home from her first day with the group. Not quite sure how to overcome the fact that her rug was curling up, Margaret turned it into a birds nest. With some further instruction from the group the following week, she made a rug base for the nest and her bird,  that I’m guessing is a Blue Fairy Wren from the south west of WA.

Judith Stephens and I will be teaching this Toothbrush rugmaking or Naarlbinding technique at the Conference of The International Guild of Handhooking Rugmakers (TIGHR) in Victoria on Vancouver Island, BC, Canada in a couple of weeks.

Eight members of the Australian Rugmakers Guild who are also members of TIGHR will be traveling to this year’s Conference. Miriam and Jacqui have already left and have visited a rug hooking friend in Israel. They were thrilled to see Pamela’s hooked rugs, which will undoubtedly feature in Miriam’s next newsletter on her return home.  Their travels will take them through Europe, to the Outer Hebrides and across the USA before we meet again in Victoria.

A few weeks ago when I was in New South Wales we talked about how amazing it is that this simple, old-fashioned craft has taken us on journeys across Australia and around the world and bought us in contact with so many interesting, sharing and caring people.

I have just realized that Miriam will be giving a talk on this very subject at the Conference; the different techniques of rug making in Australia, and has taken  some samples to show. Hopefully she will include an article about her experience at the Conference in her newsletter at the end of the end of the year.

Now I must away and pack my bag, as I too will soon be leaving for Canada.

Judith Stephens and I have planned a short road trip in British Columbia prior to the Conference on  Vancouver Island. The scenery will be vastly different from what I recently drove through on my trip across Australia – we definitely won’t be seeing any road signs like these……..

I just had to include this image which I took on our return trip as we approached the West Australia border having driven across the Nullabor Plain. This part of the  coastline shows on the map as the Great Australian Bight.

We’ve made this trip before on Eyre Highway the southern East/West road but have never pulled off to at any of the vantage points to take photos. It wasn’t far to drive from the main road and I was glad we took the time the view was spectacular!

Well this blog started with a rug hooking image on a grand scale – ending with almost a miniature,

and here I am finishing with my own personal travel pics.

I feel fortunate indeed to be able to travel and enjoy my craft through meeting other rug hookers and seeing their creations.

Jo Franco, Editor/Membership Chair

 

 

2012 General Meeting in Strathalbyn

Interested in learning about the craft of Rug Making and meeting Guild members from around the Country in person?  The General Meeting of Australian Rughooking Guild will be held on Saturday 20th October beginning at 5:00 pm.

Held this year at the Strathalbyn Town Hall, High Street, Strathalbyn, South Australia the meeting will include a business session, election of new officers for next term and meet and greet.

Several Internationals will be in attendance as they are instructors during a two day Rug Expo being held concurrently the Saturday and Sunday in Strathalbyn.  These professionals are from the United Kingdom and United States and will be covering design, braiding, proddy the UK way, hooking journals, how to tips on rughooking.  The editor of Rug Hooking Magazine (only publication for rughooking) has traveled from the United States to cover these events.