The Story of Wool Exhibition

ISSN 2207-001X  9th May, 2017

The Autumn months of April and May are popular times in Australia for Craft Festivals and “Ag Shows”. For our overseas rug hooking friends that’s an abbreviation for Agricultural Society Shows/Events/Field Days        i.e. County or State Fairs.

 Last week in Albany, in the southwest of the State of Western Australia, Kira Mead’s collection of blankets was prominently displayed at the annual  Vancouver Street Festival in the Vancouver Art Centre.     All but about 5 of the blankets used in the exhibition were Kira’s and all were originally from the Albany Woollen Mills.

The theme for the 2017 Festival  – was  “The Story of Wool”  so it was no wonder Kira’s works created from recycled blankets, fitted in so well!  Kira sources these now hard to find blankets, from friends, family and Op Shops around town. The Albany Woollen Mills, the only woollen mill in Western Australia, was built in 1924 and closed in 1996. Those of us who grew up here in the West remember well the distinctive, mostly pastel, plaid blankets.

Kira photographed her creations made with her hand-dyed blankets, many of the works featured her wool quillies.

Kira said  ……..   “I really like what they did with my blankets. “The Story of Wool“ exhibition was beautifully set out as you can see from these images taken by  Isobelle Mead.

Blankets lined the entry into this room where two video’s were playing regarding Shearing. One by Bob Symons and the other by Ron Kowald. There was also a video in the Spinning Room, also by Bob Symons.  Blankets were also used as backdrops for displays in other rooms.

A crocheted version of a coral reef.  It was a project undertaken by many in 2010. 

This installation was created by Anne Walmsley, a contemporary fibre artist and was an entry in a previous years Sculptures by the Sea at Cottesloe.   Anne Walmsley also created this installation of woollen blanket “squares” in the limestone wall of the Vancouver Art Centre.”

Above more blankets and displays.  

Albany has an impressive natural deep-water harbour and is surrounding by scenic coastal vistas.

The Vancouver Arts Centre coordinates, curates and hosts touring and local exhibitions, artists in residence, school holiday programs, adult and children’s workshops, community projects and a range of engaging cultural events across multiple art-forms.  The centre is home to a number of active arts and craft groups and independent artists, it is well used by the local community whilst also welcoming all visitors through its doors.

For anyone interested in history, there is a self-guided heritage trail allowing visitors to explore the building’s unique heritage value; built in 1887 and designed by architect George Temple Poole, the sandstone brick building originally served as the Albany Cottage Hospital until 1962.

This information was taken from the Albany Gateway website, where more information can be found about what to see and do in the area.

Kira Mead, the Accidental Rugmaker with one of her vibrant rugs. Picture: Lata Photography

        Many thanks to Kira for the update on this exhibition.    Jo Franco, Editor

Canadian Exhibition

ISSN 2207-001X 4th May 2017

The event; 2017 Annual OHCG Conference, held April 28-30th in Coburg, Ontario, Canada

The Theme; Images of Canada

Canadian, Susan Sutherland, a member of the Ontario Hooking Craft Guild and this Australian Guild, attended the OHCG Conference and shared on Facebook some of her photos of the exhibits.

Aussie Guild members will recognize some of the exhibitors names as those who have visited Miriam Miller’s Rug Room in Milton, NSW or attended the 2012 The International Guild of Handhooking Rugmakers (TIGHR) Triennial Conference in South Australia and who we will hopefully meet up with again at the 2018 TIGHR Conference in Reeth in the UK.

Miriam Miller, Karen Kaiser-Wiens & Jacqui Thomson.
Barbara Lukas

 

 

 

 

 

Susan’s Facebook post described traditional rug hooking for her many non-rug hooking Facebook friends as :-

“painting” with wool or other strips of fabric or yarn using a simple hook with a handle, puling up a simple loop – it’s not latch hooking with short pieces of wool yarn and no plastic canvas or knots.”

Susan said, there are many different rug hooking and rug making techniques.  The Australian Guild covers them all, yes, even latch hooking.

Shown with Susan’s permission, are some of her images, including comments, and a link to a blog with more images from the Exhibition which Susan thought we might enjoy.

And finally, a friendship rug –

CONGRATULATIONS

from the Australian Rugmakers Guild

to all in the

Ontario Hooking Craft Guild

on such a successful exhibition.

A Framed Finish

ISSN 2207-001X 28th April, 2017

Have you ever hooked, or been presented with a special rug hooked piece and wondered what you were going to do with it?

Sally from Brisbane had occasionally visited Judi Tompkins “Shed Days”  in Landsborough on the Sunshine Coast. These were special occasions at Judi’s home, as the Sunshine Coast Rugcrafters  group usually meets at the local Library in Beerwah.

As a tribute to Judi, Sally hooked this piece “Shed Girls” using pieces of woollen blankets from Judi’s famous stash of recycled blankets.

Because the hooked piece is representative of those special days and the fun times the group has had, Judi wanted to display it at her new residence, so she framed Sally’s work complete with a piece of Colourbond from the shed built in 2010, along with some of Judi’s collection of hooking tools.

The beauty of Colourbond (as the manufacturers advertisements will tell you) is that it retains its colour. Historically Aussie sheds were made of corrugated iron which rusts with age, creating an interesting patina, like the shed at Strathnairn, ACT where the Guild held an Exhibition last September.

There won’t be any more Shed Days, as Judi’s property is on the market. The shed for the new residence has already been built, but in future, special days will be held not in the new Shed but the soon to be built Studio.

As can be seen in the last couple of posts, apart from making works easier to hang, framing gives more of an art, rather than craft appearance to a hooked work.

Looking forward to more rug hooking news from Queensland.       Jo Franco, Editor

A HOOKED MANDALA

ISSN 2207-001X  20th April, 2017

This mandala, 80cms x 80cms, was designed and hooked by Robin Inkpen, of Donnybrook, Western Australia.  It’s framed, without glass, so is quite lightweight.

When Robin started this project her life was in a state of flux with many changes happening in her personal and artistic life. It seemed to me, creating a mandala was a big challenge to take on at that time.  However, as I remember, Robin said she was using this project as a point of focus.

and she forwarded this image of her new project with the following comment   

“Mandalas aren’t as easy as they look, they are geometrically exact and you need compass and protractor and ruler to draw them. That’s fine when you are drawing on paper but, as I found when you draw them out on fabric with a warp and a weft it adds another dimension of difficulty because you have to line up the perpendicular and horizontal with the warp and weft grain.”

WHAT IS A MANDALA?  I had an idea, but decided to do a Google search anyway  – discovering a website which said –

“a mandala is a complex abstract design that is usually circular in form. In fact, “mandala” is a Sanskrit word that means “circle”. Mandalas generally have one identifiable center point, from which emanates an array of symbols, shapes and forms. Mandalas can contain both geometric and organic forms.  Drawing and coloring a mandala can be a highly enriching personal experience in which you look inside yourself and find the shapes, colors and patterns to represent anything from your current state of mind to your most deeply-desired wish for yourself, for a loved one, or for humanity.”

This link  “Art is Funtook me to step-by-step instructions showing how to draw a mandala.

From yet another website comes these words, with a set of instructions for creating and colouring a mandala and the benefits of doing so; 

“observing the mandala allows the busy mind to take a break while the creative mind is allowed to run free”. 

Now I understand why focusing on creating a mandala was a way for Robin to centre her thoughts and feelings, also the complexities that arose when she attempted to transfer a drawing to a woven fabric backing. 

Robin is about to embark on another mandala, this time on hessian,  interested to see how precise she can be with circles and angles on hessian. Her first mandala was hooked on monks cloth.

Robin shown here with one of her earlier hooked creations, says this about the mandalas :

“For the moment, I like the contained and structured space of the design. The only variables I add are the variably dyed fabrics and yarns.

Also, as it is so difficult to be so geometrically exact on a woven fabric I like that each quarter is not an exact replica.”

 

 It would be interesting to know if any other members have attempted to design and hook a mandala.  If you have and would like to share, please leave a comment below or send to rughookingaustralia@gmail.com        

As always, it’s interesting to see where rug hooking takes us.        Jo Franco, Editor

 

 

CREATIVE RUG HOOKING

ISSN 2207-001X 16 April,2017

Creativity! there must be something in the water in Queensland; two Sunshine Coast Rug Crafters share their latest projects.

“Craig; The Poker Master”  created by Judi Tompkins –

Judi’s story –

This piece was by way of a “thank you” to a publican (he owns a number of pubs in NSW) who has been extremely generous in his support of one of my friends. She owns a barber shop and needed to move locations, Craig made her a great deal on a new shop, paid for the renovations and added a toilet for her all for free. I really appreciate his doing all this for one of my very good friends so I thought I would make something as a “thank you“.

The piece is reminiscent of the “Godfather” motif but I couldn’t (and didn’t try to duplicate it). Craig is apparently quite a good “Hold ’em” Texas poker player (Craig is in a wheelchair so card games are something he can do in addition to running his pubs) so I thought I would make him the “godfather” of poker (without using the “godfather” term of course!)

So … what you see is a hand manipulating the various card suits (they are “swinging” so the puppet strings deliberately don’t hang straight). I got a man’s ID bracelet, had it engraved with his name and added it to the wrist of the “puppet master” manipulating the cards.

The piece is about the size of a dinner plate (I haven’t measured it yet) and was deliberately made in black and gold so that the embellishments would stand out. I used wool yarns along with Cashmere roving.

 

Annette White shares her latest project which also has a story;

Annette  says :

 My latest little rugging project is finished, well in use, and I’m happy with it. It’s on Greg’s chair (a rescue object from the kerbside [the chair, not Greg]) he likes to sit on when working at the computer. The rug  on the floor we bought about 12 years ago from a sheltered workshop in Namibia. It was a beautiful experience to meet the person who designed and wove it as well as the other people working there. They dyed their local Karakul wool there as well and had a whole pile of skeins there. When I looked closer I noticed a pair of little bright eyes in a black face shining out of that pile of wool, it was one of the workers’ baby having a nap in there.

When we had chosen our rug, all the people started to chant in happiness. – Seeing the rug on the floor always reminds me of that beautiful experience.

The only bit of wool I had to dye to match the colour is the pinkish one. For the reverse side I found a bit of perfect matching furnishing material in an op shop.”

Both Judi and Annette belong to the Sunshine Coast Rug Crafters. The group meets at the Beerwah Library, Beerwah, from 2:30pm to 5:30pm on the 2nd Friday and 3rd Tuesday of the month.

Newcomers are always welcome

Jo Franco, Editor

Rug Hooking Visitors from Near and Far

ISSN 2207-001X 10th April 2017

The April issue of Miriam Miller’s newsletter “Connecting Us” has arrived in my email inbox, in it some interesting news about visitors to the Narrawilly Proggy Ruggers group in Milton – shared here with Miriam’s permission.

On the last Rug day (7th April) they had several visitors.  Miriam said they were thrilled that Maggie, Guild Vice President, accompanied by Sonja and Janet from Canberra made the 3 hour journey each way to join in for the day….. that’s the “near”.

From a further away came Irene Bruninghausen, who lives in Darwin, in the  Northern Territory, but spends some of the year in Sydney. Irene brought her nearly completed first rug.           

Irene said –

“My Rug was conceived in Ormiston Gorge Central Australia, physically commenced under Miriam’s tutelage at Milton N.S.W. Contributions were made at roadside stops in Queensland and it was almost completed in Darwin N.T. Now back at Milton trying to get a lesson in corner edging. It’s been a scenic journey for us. One thing I have learned about rugging you have to be comfy. In hot sweaty Darwin, I stripped down to a cossie, and set the stretcher frame down on a day bed. Then set up an enormous pedestal fan behind me.  Fantastic – it blew all the loose threads and scraps all over the house.”

 And from very FAR away ……. Sally Gilbert from New Hampshire USA, came to visit and met with some of the Narrawilly group on Saturday 11th March. Sally draws inspiration from her travels for her rug designs, she hooked this rug (21in x35in ) after returning from a trip to see the puffins in Maine. She used #4 & #6 size strips of new and repurposed 100% wool.

Chair pads designed and hooked by Sally using a combination of new and repurposed 100% wool strips – show the Australian influence which Sally says “is very strong in our house!   

When asked about her rug hooking in the United States, Sally said –

“I hook with the Wolfeboro Rug Hookers, a sub group of the Wolfeboro Newcomers Club. There are usually 6-8 members who come regularly and several other “sometime hookers”. Some are brand new to the craft, others have been hooking many years.  We meet once a week in a local church, and welcome all who are interested. Occasionally we go on a trip to a rug hooking supply shop either in Maine (Camp Wool, Kennebunk, Maine) or western New Hampshire to Dorr Woollen Mills.”

Sally (second from the left) with members of the Narrawilly Proggy Ruggers;- Sue, Sally, Miriam, Miriam, Margaret, Christine, Judy and Janet and

Jacqui & Sally

Miriam and Irene in the Rug Room at Narrawilly

Miriam’s newsletter contains more news and  images of rugs made by her friends from overseas and around Australia, it can be seen in full archived under the BLOG on this website. 

Thanks Miriam for sharing your news

Jo Franco, Editor      

Backing or Foundation Cloth?

ISSN 2207-001X March 29th 2017

Are you confused by these two terms?

Do you use the word “backing” or “foundation cloth” to describe that which you hook strips of fabric, or prod small pieces, into?

Or do you consider “backing” a fabric you apply to the back of a finished wall-hanging?

The first image is of wool strips and yarn hooked into a recycled woollen blanket!

The second is the back of one of Kira Mead’s large quillie pieces, where a blanket has been used to “back” the project.

Bobby George, a member of the Australian Rugmakers Guild from Victoria – posted a question on the Guild’s Facebook page……..

“I have a collection of wool blankets and have been told that they can be used as backing. To my mind, it would take a lot of effort to push the hook through for each loop. Has anyone used it as backing and if so, do you have any tips?”

Thinking maybe Bobby was confused by the words backing and foundation cloth I contacted her to clarify.

Bobby said –

“I cannot remember where I heard it, but I am sure I heard that a good use for woollen blankets was as foundation cloth. I have quite a few blankets, many bought early on before I realized that pieces of the thicker blankets need more strength to prod and strips of blanket even more to hook with.

As I have little strength in my wrists and hands I thought that I could use some of the blankets as foundation cloth, however I’m having the same problem – I need to use a lot of grunt to pierce the blanket, hence the general inquiry.”

Anne Schafer, also a Guild member from Victoria, responded on Facebook to Bobby’s question with  –

“I’ve just had a try hooking into a woollen blanket with a few different size strips and rug yarn and they worked fine. Might be hard to keep a straight line as it’s not easy to see the straight grain.

This is just a quick example, (Shown above)  no design to it as I didn’t want to draw on my cream blanket.  It’s a little harder and slower to work with as there’s no real visible weave to go by like linen, hessian or other.  Although, that might be the type of blanket I used.

Also, there’s quite a lot of bounce in the blanket even though well stretched on my gripper frame.  You would need to make sure not to break the wool thread of blanket, otherwise holes resembling that made by pet teeth would occur.  I used wool blanket strips, roughly #7, circle outlined in teal carpet wool, used double, using a 5mm hook.”

With this discussion, underway locally, today, when I received my copy of Rug Hooking Magazine, it was interesting to see there was an article on ….

“Which is the best backing” and they’re talking foundation cloth.

It’s a very interesting article and clearly sets out the comparative differences in cost and use, along with some “do’s and don’ts” – great if you live in the USA or Canada – not so good for those of us living in Australia or New Zealand where there aren’t any rug hooking suppliers.

I know, proper rug hooking backing (foundation cloth) can be purchased online – however, currency exchange and international postage adds a great deal of cost to an already expensive purchase.

The cost factor is detrimental when trying to interest beginners to the craft of rug hooking.

So most of us resort to a “make do” scenario and suggest the use of Hessian, a step above burlap.  Hessian is readily available in wide widths and inexpensive, even compared to Scottish Burlap.

While it has an even weave and no “slubs”, it does have its problems for some people – apart from it’s distinct odour, there’s also a “hairiness” to the fabric – either one of these is enough to create an allergic reaction for some.  So, what to do ……… if you don’t want to spend all the time you’re hooking sneezing and blowing your nose and can’t afford the outlay to import your backing.

One of the large fabric outlets here has in its curtain & upholstery section, a  synthetic linen that works well as a backing.  At first glance it appears that the weave is too fine – but it’s been put to the test and even an 8mm hook will pierce it without causing any problem.

An open weave synthetic curtain purchased in the same department of THAT store, was used in another creative way as a substitute for the expensive “real thing” and the “smelly hairy” local Hessian.

Speaking of “make do”, here is Kira Mead’s version of a project hanger while working on one of her large creations – “Navel Gazing”

In the next image you can also see Kira’s “Grid Back” used for hanging large odd-shaped pieces. The woollen blanket covers the plastic grid leaving only one row exposed into which to slide the metal track. The creation can then be hung from a hook by a cord looped through the metal track, or hung from Art-track systems, directly in to the holes in the metal track, all the while keeping the odd shaped edges well supported.

 

Judi Tompkins – the recycled Blanket Queen

has added her two cents worth to this conversation about backing …….

“Because the craft of rughooking is so well known in the North and people have more knowledge and experience with making and giving pieces, there is a tendency for people to invest in the more expensive linen/rug warp/monks cloth fabrics because they intend (or hope) that the hooked piece will be handed down for generations to come.  This may or may not be true anymore and will depend on how much the next generations value this particular type of handwork. Handmade furniture seems to retains its value through generations but I’m not sure that attitude applies to floor rugs and wall art.

The bottom line is that – for us in the South – investing in expensive and imported foundation fabric is something I do for items that I intend to give as a gift or have been commissioned to make; otherwise I use the locally available linen or hessian (which is now better quality). I don’t have any expectation that my work will survive me.

Regarding the use of wool blankets (and I’m speaking wool not acrylics) depending on the weight and weave of the wool it can be used – just test it before you use it. BUT…. be aware that you can’t easily draw – or draw complex designs – on most wool fabrics, even using a permanent pen doesn’t guarantee that the design won’t “fade” or move due to the fuzzing on the surface of the wool. So, plan on hooking a “free form” design or one that will accommodate some “flexibility”.

Wool is also immensely heavy, stretchy and itchy so you’ll want to have a proper frame to support your work (which will become even heavier as you add more wool). Small projects would be more workable I think … and because I work in LARGE stuff I would probably be crushed under the extra weight!

Because I use a lot of rovings, mohair and other delicate fibres I tend to put a backing on my work to prevent the stitches from being accidentally pulled out. If I were using a wool foundation and then added a backing I would find the piece to be very heavy indeed.

All that having been said … it might be that if you want to hook a floor rug then a wool blanket as a foundation might be ideal … it would add weight to keep it from moving and it would wear well. It’s just the stretching aspect that concerns me.

Remember too that wool is hair/protein and serves as a “hot lunch” for insects. If you use a wool as a foundation cloth but hook with non-wool fibres it is easy to forget that you need to plan for insect management when you are finished.

Editor’s Note:  Judi’s extensive woollen blanket collection is for sale – either whole blankets or sections – details can be seen on the “Swap, Sell” page  on the Guild website.

Happy Hooking     –     Jo Franco, Editor

Deconstructed Fibre: It’s a Puzzle

ISSN 2207-001X  March 19 2017

This Puzzle was hooked by the Australian Rugmakers Guild Webmaster Judi Tompkins from Queensland who shared her ideas and progress with Editor, Jo Franco, in Western Australia via Skype.

Now the ambitious project’s complete (even has it’s own special storage box with a hinged lid and an image of the completed piece on the inside of the lid) Jo asked Judi if she would share with the members, the techniques used and problems encountered.

Here’s the storage box sitting on the puzzle with a couple of the puzzle pieces on top.

and here’s the finished decorated lid of the storage box.

lift the lid and you have an illustration to follow

Here’s what Judi had to say about the process;

This was supposed to be an “easy” project when I first started thinking about it, I mean after all, I was merely going to produce 16 small rugs that would nest together neatly and create a large colourful mat with some beads and bling.  

     Hah!     Just goes to show how the best laid plans can change directions rather quickly.

(Please Note: some of the videos in this post are slow to load)

So, for any of you wishing to try a similar project, here, not in any particular order, are some observations and things I learned along the way. 

 Glue is not my friend! And believe it when they say “hot” glue – You betcha it is!

It took me a while to figure out a few things about hot glue: 

         You don’t have to touch it immediately (and in fact you shouldn’t) … give the glue 3-4 secs to lose the immediate heat before you manipulate your fabric or embellishments.

         After burning my fingers eleventy-two million times I discovered that some crumpled up oven paper/baking type works as a great substitute for your finger. The glue won’t stick to it and you can use it to push and adjust the fibre. You must use it crumpled though … then it acts as a buffer between you and the hot glue. 

Glue is still not my friend but we have come to an “understanding” at this point.

 Make your design easy to cut apart. I left space between my pieces but I think more would have been better. Just think about how you will cut the shapes once you are ready to glue the edges and how much space you will need to manipulate the glue gun.

 Once I finished hooking the pieces I used PVA glue to stiffen the edges a bit and to pull the stray fibres out of the way of the cut line.  

 If you are making a puzzle or some such thing that needs to be reassembled in a particular way … number your pieces on the backing and TAKE A PHOTO OF IT!

Then when you finish the pieces I suggest that you put the corresponding number on the back of each piece (ie. 4/16…piece 4 out of 16) so you can match them up yourself …  believe me you will be very glad you did this!    

 Because I am so bad with glue, I “over glued” the edges with hot glue before I cut the pieces apart. So … my suggestion is that if you have already used PVA glue to secure the bits … cut your pieces apart and then hot glue the edges & backing.  Believe me cutting through “set” hot glue is an ugly job and I broke a pair of scissors trying to do it! 

 I don’t hook in neat straight lines and I tend to use a lot of different fibres so my work tends to be lumpy and shaggy. That works well for hiding the rough edges but I found that I still needed to “outline” each piece with some 8ply rug yarn to clean up the edge. I would be interested to see how this looks if the pieces were hooked with cut wool strips and a consistent loop height (which I can’t seem to do!).  I think the pieces would nest together better than mine do.

 Never, never, never, never, ever use self-adhesive backing on your pieces! Ahhhhhhggggg! What a nightmare! When trimming the edges of this stuff my scissors were gummed up within seconds and I had to constantly stop to wipe them off with turps! And an exacto blade was even worse!

Awful stuff …. but again … it’s a “glue” thing with me perhaps? 

This is an extra puzzle piece included in the box as a “mystery” piece just to give people something to think about …..  “now where should it go?”

(it goes nowhere because it’s piece No. 17 of a 16 piece puzzle).    Hah!

 Good luck to all who try this … I’ll be interested to see your results! 

 Let me know if you have questions.                           Judi Tompkins

 

Members of the Sunshine Coast Rugcrafters group attempt to put this puzzle together for the first time – it looks like it would be fun!

Thanks Judi for sharing your thoughts as you worked through this process.

Jo Franco, Editor

 

Coat of Arms with Unicorn Rug

ISSN 2007-001X

What do these items have to do with a rug inspired by a coat of arms?

Read on and learn a new finishing technique.

Stella Edmundson, a member of Judi Tomkins Sunshine Coast RugCrafters group, is relatively new to rug hooking however, her background in art, and a classical education, stands her in good  stead when it comes to creating designs.

Stella has learned more than just rughooking techniques from the very creative Judi, a self-taught rughooker, who has worked in different art mediums.  Judi encourages members of her group to think outside the box when it comes to framing their hooked pieces.

Here is Stella’s latest hooked work, a commission piece, destined for the USA.

In her own words, Stella’s description of her commissioned work:

” My latest hooked rug is being sent to America by request of my sister who is a close friend of Germanic Kenesbeck descendants.  It is inspired by the Kenesbeck coat of arms. I did not attempt to copy this family crest; for my hooking is not suitable for replicating anything.    Instead I chose the unicorn which dates back to 1172!

The unicorn on the family crest is a realistic long legged colt with a lion’s mane and tail (this imbues the unicorn a lion’s strength and power). I also wanted to have some kind of border suggesting the elaborate exquisite filigree scrolling greenery on the bottom of the crest. Alas, I had to make do with a more simple pattern. I have found that including trees in my hooked rug adds energy so I searched the net for a drawing of a Germanic looking tree.

So, that was the idea I started with. The rug made itself. The unicorn turned out to be not realistic but heraldic (ditto with the rabbits). Unicorns are truly magic beasts representing innocence, sincerity, cleanliness, wisdom, peace and joy. Rabbits are often depicted in medieval unicorn tapestries for they share a reclusive nature with a deep love of nature.

The time is early spring now in Pennsylvania and New Hampshire. The setting is a deep dark night in a grassy wood lit by a radiant moon.”

Stella has invested in a new way of finishing hooked rugs which are to be hung; to give them a firm even edge, without the need of a frame.

Stella says   …………

“Here’s a  step by step approach with images – these items were used during the finishing of a previous wall hanging.

 1. Cut off excess backing fabric (foundation cloth) but leave enough to cover the rug

 2. Place a mounting board the exact size of the rug on the back

 3. Surround the mounting boards with cut dowels just under the width and length of the mounting board. Connect each corner by plastic tubing. This means there is no needs for nails and the corners are rounded.

 4. Fold foundation cloth over the dowels and mounting board. Fold down from top & up from bottom first and then fold the across sides to cover the whole piece then sew all sides together.

 5. With wool yarn matching the piece do rug stitch/whip stitch over the dowels and between the mounting board. Having a dowel in place insures even stitches.”

(Editors Note: The whip stitching should be done after “assembly” while the piece is laying on a flat surface;   it helps to have the far edge weighed down – you can see Stella has a couple of very accommodating weights!

Below is Stella’s final comment regarding her technique. I might add, this finished back also provides a good surface to add an Artist’s Statement or at least (Name/Size of work, Name of Artist & date completed)

” 6. I like to cover the back with fabric which gives a polished finish.”

Well done Stella!

and thank you for sharing your technique with other rugmakers.

Jo Franco, Editor

 

 

Sculptures by the Sea Cottesloe

ISSN 2207-001X   March  2017

 

 

 

 

 

 

Kerrie Argent’s entry in Sculptures by the Sea at Cottesloe Beach in Perth, Western Australia, is created from recycled jumpers (sweaters) donated from friends in Esperance, Albany, Perth and Lake Grace.

Kerrie, a member of The Western Australian Fibre & Textile Association (WAFTA), lives in Lake Grace 345k (214 miles) south east of Perth. Here is what she had to say about her 2017 installation:-

        “I’m actually trying to make us think about better use of our textiles or a second use  …….. the two lots of jumpers received from Esperance and Albany were destined for land fill. People had donated them to charity groups but as most of them were out of fashion or had moth holes or stains on them they couldn’t even be given away … there is no second life for second-hand knitted fabrics … not even the rag bag. *(see Editors note)

All the recycled fabric has had a rust dye put over it to give it the glowing golden tone and neutralise the colour tones so they are all tonal now.

While pulling 4 hand knitted jumpers to bits to recycle the wool for stitching I felt like a criminal – all that beautiful knitting, but again they were thrown out and destined for land fill. So why couldn’t we make homes for the homeless from them like the yurts of the Mongolians instead of mountains of unloved unwanted fashion waste.  Australia produces 6000kg of fashion waste every ten minutes.    

This image was posted on the 1 Million Women Facebook page

What started off as my work became a community project when I shifted into the Lake Grace Regional Art Space to use as my studio, a much bigger area. I had friends dropping in to see what I was doing and then offering to help … how can you say no. So it became quite a social event during the day, after work or on weekends, to come  stitch, chat and relax. I couldn’t keep them away, one lady drove into town 25 km every day to work on the stitching, and my 87 year old diehard helper I used to have to kick her out in the evenings otherwise she might have forgot to go home and sleep. Our locum Dr came one weekend to help, even bought pancakes and maple syrup for morning tea. And people stuck in town because of the floods ended up coming and stitching to fill in some time. How lucky am I to get all this awesome support, and they had a lovely time doing it.

Here are some images of the project underway   ………….

Helpers

Stitched pieces

Rubber gloves cut off make great finger protectors and much better grip on needles”

Last of the covers finished with some of my helpers

Covers finished rolled and ready to go

Trailer packed with supports ready for transport to Perth

 Installed on Cottesloe Beach

(Images were provided by the artist with permission to publish)

  Kerrie said she would be giving artist Spotlight talks to students, if people were interested they could come and listen and if they wanted to talk after she will be there.

The dates for these talks are Thursday 16th 12.00-1.00, and Friday 17th 10.45- 11.45

Kerrie’s also giving a Spotlight talk at 10:30-11:30 Tuesday 7th, however is not available to talk after this session, because she is going to East Butler Primary School to talk to the students as they received one of her cows from the City of Perth Cow Parade, and she’s headed up to see where it’s going to live. 

*Editor’s Note:  I must introduce Kerrie to rugmaking, where you can make use of old hand knitted sweaters, as you can see by these images;   [Images Courtesy Tasmanian Wool Centre]

TWC2016-2_RansomRug_2230mmx1400mm

Courtesy_Tasmanian_Wool_Centre_TWC2016-2_RansomRug_detail_topview

Courtesy_Tasmanian_Wool_Centre_TWC2016-2_RansomRug_detail_underside

Sculptures by the Sea is on now until 20th March, 2017 – don’t miss this fantastic Exhibition  (and its free)

Think about your next rug hooking project ……… how can you incorporate recycled items?

Happy Hooking –  Jo Franco, Editor